One of my favorite Christmas carols, “Silent Night,” turns 200 this Christmas season.
The carol was originally written as a poem in the aftermath of the Napoleonic Wars by a village priest, Joseph Mohr, in the village of Oberndorf, Austria, in 1816. Two years later, Mohr approached the town’s choirmaster and organist, Franz Xaver Gruber, to set the poem to music. Gruber agreed, and the carol enjoyed its first performance to a small congregation, which universally enjoyed its simple sweetness.
Since then, the humble hymn has spread far and wide, and is probably the most recognizable Christmas carol globally today. It’s been covered (likely) thousands of times; it’s certainly become a staple of my various Christmas performances.
This simple, sweet, powerful carol beautifully tells the story of Christ’s birth, as well as the import of that transformative moment in history, that point at which God became Flesh, and sent His Son to live among us.
As much as I enjoy classic hard rock and heavy metal, nothing can beat the tenderness of “Silent Night”—except the operatic majesty of “O, Holy Night,” objectively the best Christmas song ever written.
Merry Christmas, and thank God for sending us His Son, Jesus Christ.